4th - 6th September 2025, University of Basel

Author dialogues  —  Llanito meets Rumantsch  — Academic papers  —
Readings & performances

This is the third of a series of international conferences about contemporary Gibraltarian language and literature, the first having taken place at Cambridge University in 2023, and the second at the University of Vigo in 2024. Aiming to showcase the vibrant literary scene in Gibraltar, the conference will be devoted to the conditions of literary writing in Gibraltar as well as to the use, the development and the study of Llanito, a Gibraltarian local linguistic variety.
This summer is a great time to revisit Gibraltarian literature and culture, given that a post-Brexit deal for Gibraltar and its border situation has finally been negotiated.
Since our conference is held in Switzerland, we will take the opportunity to put Llanito in dialogue with Rumantsch, the fourth official language of Switzerland which is spoken in the Grisons and which, like Llanito, testifies to the cultural and linguistic hybridity of a border zone.
The conference programme comprises dialogues between literary authors and creative cultural performers, a podium discussion, traditional academic papers and inputs by scholars at various stages of their careers.
The conference is hybrid so as to give people a possibility to participate remotely, and free of charge, but registration is mandatory.
calderon

Rebecca Calderon

was born into an English-Indian family in Hampshire in 1969. In 1990, she embarked on a trip to Europe from which she never returned. She settled in Gibraltar, where her social and political interests led her to write the play "The Civil Garrison" (2004), shown in 2015 under the title "Llévame Donde Nací". Her novel "Renault 5" was published in 2016, the short story collection "Ten Thousand Words" in 2021 and "Llévame Donde Naci - The Metamorphosis of a Play" in 2022. Calderon has won the Gibraltar Poetry and Short Story Prizes several times and was nominated for the international Bridport Prize for Poetry in 2015. In 2024, she edited "The Llanito Dictionaries". She is a sports journalist and organizes cultural activities in Gibraltar.

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Sophie Macdonald

holds a BA in English Literature from the University of Cambridge and an MA in Intercultural Communication and Applied Linguistics from University College London. She worked on code-switching in Gibraltarian literature and the threat to Llanito and presented her findings at the Cambridge University Gibraltar Conference. An excerpt, titled ‘In Defence of Llanito: Gibraltar in a state of linguistic transition’, was published in The Round Table. At the follow-up conference in Vigo, she spoke on language and decolonisation in Gibraltar. Sophie Macdonald is co-editor of Patuka Press, which has also published her short stories. The short story "Norfolk Square" won the 2024 Gibraltar Cultural Services Short Story Competition in the ‘Llanito’ category.

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Dr. Jonathan Teuma

(aka yanito_verso) is a poet, author and slam-poet based in Madrid who places particular emphasis on oral performance. He is currently a guest lecturer in English, translation and teaching at the Universidad Rey Juan Carlos in Madrid. He is a founding member of Poetry Slam Madrid and Poetry Slam Spain. He has published two volumes of poetry, family memoirs and numerous journalistic texts and has worked as a columnist for Vox de Gibraltar. His PhD thesis, "Challenges in Poetry: From the Educational to the Dialectial", discusses how poetry can promote and advance dialects such as Llanito. The relationship between Llanito and identity is a central theme of Teuma’s work, and his charismatic performances embody Llanito in an impressive way.

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Gianna Olinda Cadonau

studied International Relations in Geneva and Arts Management in Winterthur. She has been responsible for cultural promotion at the Lia Rumantscha since 2010. Her poetry collections "L'ultima ura da la not / Letzte Stunde der Nacht" and "pajais in uondas / wiegendes Land" (editionmevinapuorger) were published in 2016 and 2020. She was awarded the Studer/Ganz Prize in 2022.

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