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UID:news388@english.philhist.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20221124T170416
DTSTART;TZID=Europe/Zurich:20221215T141500
SUMMARY:Hauntings of the Past in African-American Rap
DESCRIPTION:Since the late 1970s\, hip hop culture and rap music have serve
 d as a mouthpiece of African-American communities\, depicting the struggle
 s and challenges faced by Black Americans up to our days. Significantly\, 
 rap is also a central source of remembering the past\, and connecting past
  oppression with current injustices. In this way\, rap is in fact a form o
 f "memory vehicle"\, rearticulating histories and reworking traumatic expe
 riences shared by African-American communities. In this session\, we will 
 look at selected music videos by rappers such as Nas\, Kendrick Lamar and 
 Mick Jenkins\, and examine how particularly the representations of bodies 
 and/in specific spaces directly tap into the collective memory of enslavem
 ent and its massive consequences in the USA up to our days.
X-ALT-DESC:<p>Since the late 1970s\, hip hop culture and rap music have ser
 ved as a mouthpiece of African-American communities\, depicting the strugg
 les and challenges faced by Black Americans up to our days. Significantly\
 , rap is also a central source of remembering the past\, and connecting pa
 st oppression with current injustices. In this way\, rap is in fact a form
  of "memory vehicle"\, rearticulating histories and reworking traumatic ex
 periences shared by African-American communities. In this session\, we wil
 l look at selected music videos by rappers such as Nas\, Kendrick Lamar an
 d Mick Jenkins\, and examine how particularly the representations of bodie
 s and/in specific spaces directly tap into the collective memory of enslav
 ement and its massive consequences in the USA up to our days.</p>
DTEND;TZID=Europe/Zurich:20221215T154500
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